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Prof. Esekong Hutton Andrew-Essien
DepartmentTheatre and Media Studies
DesignationProfessor
EmailProf. Esekong Andrew-Essien is a pragmatic and erudite scholar who joined the services of the University of Calabar in 2000 as an Assistant Lecturer in the Department of Theatre Arts (now Department of Theatre, Film and Carnival Studies). He rose through the ranks and was promoted Professor of Theatre Scenography and Carnival Arts in 2015. Prof. Andrew-Essien holds a B.A. (Hons) degree in Fine Arts, University of Cross River State, (now University of Uyo), 1990; M.A. and Ph.D degrees in Theatre Design & Technology, University of Calabar, Nigeria. Prof. Andrew-Essien has received many significant awards and honours. He got the award for the Best Graduating Painting Student, University of Cross River State, Uyo, Nigeria in 1990; the NYSC National (Presidential) Honours Award, presented by President Ibrahim Babangida at Abuja in 1991; the National Universities Commission NUDTAS Award for Best Doctoral Thesis in the Arts and Humanities (2006). He is also a Brown International Advanced Research Institute (BIARI) alumnus, Critical Global Humanities, Brown University, RI, United States, 2010. Prof. Andrew-Essien has been consistent in teaching and research at the University of Calabar. Over the years, he has taught several courses. Beyond teaching, Prof. Andrew-Essien has mentored many students academically, supervising 5 Ph.D students, 8 Masters students and Post-Graduate Diploma students as at 2020. Many more post-graduate supervisions are underway. Prof. Andrew-Essien, has presented guest lectures and lead papers in conferences and workshops. He was a major resource person, at CARNIRIV Pre-Carnival Forum in Port Harcourt, October, 2012. He was also the lead speaker at the Cross River State Carnival Commission Capacity Building Workshop, December, 2013 and the Cross River State Carnival Commission Refresher Workshop on Cultural Parade Presentation and Logistics, in December, 2014. Prof. Andrew-Essien was the 3rd guest lecturer at Akwa Ibom State University, Faculty of Arts Distinguished Lecture Series where he presented a paper entitled “Flexible Theories, Dynamic Practice: Extensions and Convergences of the Performing Arts in the 3rd Millennium†in October, 2018. He presented one of the lead papers: “Art as a Dependable Driving Force in New Age Marketing†at the New Age Marketing Conference, University of Calabar, 2019. Prof. Andrew-Essien attends conferences, seminars, symposia and technical workshops regularly within and outside Nigeria, (specifically in Ghana, Switzerland, Germany and the United States of America) to deliver papers, learn from other academic traditions and gain cultural exposure. As Head of Department of Theatre and Media Studies, he organized the maiden International Conference of Theatre and Media at the University of Calabar, 2015. Prof. Andrew-Essien’s research resources are drawn from both performative and visual cultures. Quite often, he integrates multiple media in practical productions to heighten aesthetic impact and intensify communication. While some of his works examine theories, others critically interrogate contemporary realities. There is a special interest in assessing conformity to aesthetic values, reviewing production processes and evaluating the utilitarian essence of productions. His scholarship, essentially underlines the need for effective communication in visual and performative media to create change. He is currently a collaborator in the Red Clay Advisor project to develop documentary resources on art, tourism and the carnival experience in Calabar. Prof. Andrew-Essien is a distinguished member of professional associations, including the Society of Nigerian Theatre Artists, Society of Nigerian Artist, International Visualization Society, Nollywood Foundation and African Theatre Alliance. So far, Prof. Andrew-Essien has published 2 books as sole author (one in Theatre Design and the other in Research Methods); he has co-edited 4 other books in Theatre Studies and Research Methods. He has more than 33 publications in reputable peer-reviewed international and local journals and books. Prof. Andrew-Essien is married to Prof. Elizabeth Andrew-Essien, a Professor of Environmental Resource Management in the University of Calabar and they are blessed with 3 lovely children.
S/N | Qualification | School Atttended | Started | Finished |
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S/N | Publication |
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Andrew, Esekong. “Colour Blocking: Disregarding Traditional Artistic Colour Harmonies or Promoting Post-Modernist Expressionism?” Lwati: A Journal of Contemporary Research 10.3 (September, 2013): 148 – 160. www.ajol.info/index.php/lwati | |
Andrew, Esekong. “Essential Elements of Spatial Definition in Theatre Architecture.” Arts and Design Studies 32 (2015): 1 – 4. www.iiste.org . | |
Nwamuo, Chris and Esekong Andrew. “Complexities in the Development of the Nigerian Youth.” Theatre Studies Review 4.1 (January, 2004): 79 – 91. | |
Andrew, Esekong and Elizabeth Andrew-Essien. “Arts, Tourism and the Environment: An Overview of Critical Intersections in Nigeria”. Mediterranean Journal of Social Science 4.6 (July 2013): 275 – 284. www.mcser.org/journal/index.php/mjss. | |
Andrew, Esekong. “The Dynamics and Prospects of Arts and Crafts in Ibibio.” The Parnasus: University of Uyo Journal of Cultural Research. 1.2 (June, 2005): 250 – 258. | |
Andrew, Esekong. “From Nudity to Nudity: Costume Evolution in the Context of Nationalism, Fashion and Personal Taste.” Ndunode: Calabar Journal of the Humanities 6.1 (January, 2005): 134 – 145. | |
Andrew, Esekong and Austin Achoakawa. “Technical and Artistic Elements in the Production of Geoffrey Agbo’s “Gramma Don Do” at the Cultural Centre Board Theatre, Calabar.” JOTAMS - A Journal of Theatre and Media Studies 1.2 (April, 2016): 34 – 45. | |
Andrew, Esekong. “Classical African Arts: Remodeling the Base of Contemporary Theatre Practice.” Sankofa: Journal of the Humanities 1.1 (June, 2003): 48 – 74 www.sankofajournal.org/index.php/snakofa. | |
Andrew, Esekong, Chris Agibe and Emmanuel Eneh “Technical Improvisations for Carnival Float Robotics: A Study of Passion 4 Designs in Carnival Calabar 2008 – 2012.” Management Science and Engineering. 8.2 (2014): 21 -32. www.cscanada.net/index.php/mse. | |
Andrew, Esekong. “Aesthetic and Utilitarian Considerations in Design Evaluation for Theatre Productions.” Arts and Design Studies 23 (2014): 1 – 5. www.iiste.org. | |
Andrew, Esekong. “Staging the Two and Three-Dimensional in Wole Soyinka’s The Beatification of Area Boy”. Focus on Theatre. 3.2 (August, 2002): 153 – 163. | |
Andrew, Esekong. “Contemporary Dimensions of Interaction between Art and Technology: Implications for Stage and Media Designs.” Global Journal of Humanities 5.1 and 2 (2006): 31 – 34. (AJOL(UK) http://www.inasp.info/ajol). | |
Andrew, Esekong. “Linearity Versus Contiguity: Examining the Perception of Time and Space in Ibibio Culture, Nigeria.” JOTAMS - A Journal of Theatre and Media Studies 1.1 (April, 2015): 1- 5. | |
Andrew, Esekong. “Production Elements of Design in Dramatic Composition”. Focus on Theatre 2.3. (April, 2001): 11 – 24. | |
Andrew, Esekong. “The Influences of Indigenous Occupations on Theatre Practice in Africa.” Journal of Arts and Humanities 4.1 (2007): 84 – 89. | |
Andrew, Esekong. “The Primitive in the Contemporary: Recurrent Socio-Cultural Issues in Ene-Henshaw’s Medicine for Love.” Waclaals 2.1 (April, 2005): 147-160. | |
Andrew, Esekong. “Integrating World Civilizations Through Multi-Polar Communications.” Ndunode: Calabar Journal of the Humanities. 3.2 (2002): 136-148. | |
Andrew, Esekong. “Configurations of the African Masks: Form, Functions and the Transcendental.” Cross Cultural Communications 10.4 (2014): 218 – 223. www.cscanada.net/index.php/ccc. | |
Andrew-Essien, Esekong H. “Evolving New Management Plans for Cultural Tourism in the Face of the Global Insecurity Crises: The Nigerian Persdpestive”. Calabar Journal of Liberal Studies. Vol 20 No.1 (April, 2018): pp 82 – 96. | |
Andrew, Esekong. “Perception Modes and Theories: Effects on Visual, Aural and Temporal (Time) Elements of Theatre Design.” Global Journal of Humanities 6.1 and 2 (2007): 11 – 16. (AJOL(UK) http://www.inasp.info/ajol). | |
Andrew, Esekong. “The Restrictions of the Modern Proscenium Stage on Traditional African Values.” Cajolis – Calabar Journal of Liberal Studies vii.2 (December, 2004): 114 – 127. | |
Andrew, Esekong. “Social Justice, Civil Society and the Dramatist in Democratic Nigeria.” Annals of Humanities and Development Studies 1.2 (2010): 153 – 167. www.universalacademicsservices.org. | |
Andrew, Esekong. “Visual and Theatrical Elements in Two Emerging Nigerian Carnivals.” Critical Interventions: Journal of African Art History and Visual Culture 6. (Spring, 2010): 62 – 76. www.aachron.com/editions/critical...index.php. | |
Andrew, Esekong. “Arts, Religion and the New Social Order: Emerging Trends in Mediation in an Age of Globalization.” Lwati: A Journal of Contemporary Research |
warning No Result For Grants Received.
S/N | Conference | Description | Started | Finished |
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10th Tubinger Perception Conference | 10th Tubinger Perception Conference, ‘TKW 2007’ Max Planck Institute, University of Tubingen, Germany, 27th – 29th July, 2007. | 2007-07-27 | 2007-07-29 | |
Carnival Industry Skill Acquisition Workshop | Carnival Industry Skill Acquisition Workshop organized by the Cross River State Carnival Commission | 2009-08-18 | 2009-09-04 | |
Theme: “Whose Global Humanities?†| Consortium for Humanities Centers and Institutions Annual Meeting. Theme: “Whose Global Humanities?†Cogut Centre for the Humanities, Brown University, Providence, Rhode Island, USA, 13th – 15th June, 2010. (Participated as BIARI Scholar) | 2010-06-13 | 2010-06-15 | |
C-Change workshop on the Integration of Social and Behavioural Change Communication Training into Tertiary School Curriculum | 2. C-Change workshop on the Integration of Social and Behavioural Change Communication Training into Tertiary School Curriculum in Nigeria, 16th -17th February, 2011 at Abuja. | 2011-02-16 | 2011-02-17 | |
C-Change Social and Behavioral Change Communication (SBCC) Training | C-Change Social and Behavioral Change Communication (SBCC) Training, Abuja, 11th – 16th July, 2011. | 2011-07-11 | 2011-07-16 | |
Theme: “Rethinking Arts in a Global Village at the Twilight of the20th Centuryâ€. | 2nd International Convention on Arts and Development (CONADEV 2011). Cultural Centre, Calabar. 19th – 20th September, 2011. | 2011-09-19 | 2011-09-20 | |
Ohio University/UNICAL Collaborative SBCC | Ohio University/UNICAL Collaborative SBCC Training Workshop, Calabar, 13th – 14th June, 2012. | 2012-06-13 | 2012-06-14 | |
Paper Presented: “Colour Blocking: Disregarding Traditional Artistic Colour Harmonies or Promoting Post-Modernist Expressionism? Under panel 11: Postmodernism and Alternative Global Narratives. | Society of Nigeria Theatre Artists (SONTA) Silver Jubilee Conference, University of Calabar, Nigeria. Theme: Emerging Trends in Theatre, Media Practice and National Security. Calabar 12 – 15th September, 2012. | 2012-09-12 | 2012-09-15 | |
Quality Teaching for Quality Learning in Higher Education | Quality Teaching for Quality Learning in Higher Education, A Capacity Building Workshop organized by the Centre for Teaching and Learning Excellence, University of Calabar, 12th | 2013-02-12 | 2013-02-13 | |
Paper Presented: “Harnessing Inorganic Colourants from Indigenous Sources: Implications on Occupational Health and Safety for Theatre Scenographers in Nigeriaâ€. | The 9th Annual Conference of Society for Occupational Safety and Environmental Health (SOSEH). Theme: Impact of Resource Exploitation on Public Health and Livelihood Patterns. University of Calabar Conference Centre, Calabar 6th to 9th November, 2013. | 2013-11-06 | 2013-11-09 | |
Cross River State Carnival Commission Capacity Building Workshop on Cultural Parade Presentation and Logistics | Cross River State Carnival Commission Capacity Building Workshop on Cultural Parade Presentation and Logistics, Unical Hotel and Conference Centre, 9th to 11th December, 2013. | 2013-12-09 | 2013-12-11 | |
Paper Presented: “Technical Improvisations for Carnival Float Robotics: A Study of Passion 4 Designs in Carnival Calabar 2008 – 2012â€. | . 8th African Theatre Association (AfTA) International Conference. Theme: African Theatre and Performance and the Academy. School of Performing Arts, University of Ghana, Accra, Ghana, 9th – 12th July, 2014. | 2014-07-09 | 2014-07-12 | |
Paper Presented: “Evolving New Management Plans for Cultural Tourism in the Face of the Global Security Crises: The Nigerian Perspective†| Association for Tourism Development in Nigeria (ATDiN) 2014 Annual Conference. Theme: “Transforming the Tourism Industry in Nigeriaâ€, University of Nigeria, Nsukka, 7th – 9th, September, 2014. | 2014-09-07 | 2014-09-09 | |
Cross River State Carnival Commission Refresher Workshop on Cultural Parade Presentation and Logistics, Carnival Commission | Cross River State Carnival Commission Refresher Workshop on Cultural Parade Presentation and Logistics, Carnival Commission, 17th and 18th December, 2014. | 2014-12-17 | 2014-12-18 | |
Paper Presented: “Theorizing Theatre Design and Technology in an Age of Postmodernism†| Calabar International Conference of Theatre and Media Studies. Theme: Theatre and Media Studies in the Third Millennium. University of Calabar, Nigeria. 23rd – 27th September, 2015. | 2015-09-23 | 2015-09-27 | |
Paper Presented: “Politicizing Representations in Theatre Design: Comparative Encounters between the West and the Rest†| 1st Faculty of Arts International Conference, University of Calabar International Conference Centre. Theme: Globalization and Democratic Values in Africa. University of Calabar, Nigeria. 13th – 15th April, 2016. | 2016-04-13 | 2016-04-15 | |
Theme: The Arts/Humanities: Past, Present and Future. 9th – 13th April, 2018. | 1st Faculty of Arts and Humanities Association of Nigerian Universities International Conference. University of Calabar International Conference Centre. | 2018-04-09 | 2018-04-13 |