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Name

Mr. Onyekachi Peter Onuoha

Department

English & Literary Studies

Designation

Assistant Lecturer

Email

[email protected]


About Mr. Onyekachi Peter Onuoha

Onyekachi Peter Onuoha is an Assistant Lecturer at University of Calabar, Department of English and Literary Studies, he is a Street Biographer, African Digital Literature Scholar, Researcher in Trauma and Memory Studies, Creative Writer with over a decade experience in publishing and teaching of creative writing. He is a researcher on African new writings published in the cyberspace. He is the Curator and Editor of an Online Literary Platform Akaikoro.com. He is widely published across the three basic genres of literature. The following creative works of literature are to his credit: Idara, Moonlight Lady (Kraftbooks, 2012), MyFather Lied, The Scream of Ola(Kraftbooks, 2013), Ijeuwa (Authorhouse UK, 2015), Identity, The Fears of Mama(Kraftbooks 2015)The Heresy of Gossip, Aluta Struggles (Celbestbooks, 2011), Smell (AMABooks, 2017) among others, most of his books are studied across universities in Nigeria.


S/N Qualification School Atttended Started Finished
FSLCState School one Bernard Carr, Pharlga, Port Harcourt19942000
SSCESt. Patrick College, Ikot Ansa, Calabar20002006
BAUniversity Of Calabar20092012
MAUniversity of Lagos20152016

S/N Publication
Onuoha, O. P. (2020). “(Un) continuity in African Literature: Facebook Memoir and Suicide as Escape in Akachi’s Sixteen Notes on How to End a Life”. Electronic Literature Organization, Conference And Media Arts A Festival. University of Central Florida. pp 1-23 https://stars.library.ucf.edu.elo2020/
Onuoha, O.P. (2019). “Eclipse in Rwanda as Remembering in Psychosocial Poetics of Trauma”. English Linguistics Research. SCIEDU Press. pp 25-34 iSSN 1927-6036 www.sciedupress.com/journal/index.php/elr/article/view/16228
Onuoha, O. P. & Oyndamola O. H. (2019). “Men as Puns in the Feminist African Novel”. Language, Discourse & Society. 7(13).
Onuoha. O. P. (2018). “Diaspora digital literature: role reversal and the construction of self in selected Ikheloa’s autobiographies”. International Journal of Pedagogy Innovation and New Technologies. ISSN: 2392-0092. 5 (2). . http://www.ijpint.com
Onuoha, O. P. (2018). “Literary Heredity and Variation in Selected Facebook Poems of Veralyn Chinenye and Her Collaborative Authors”. International Journal of Pedagogy Innovation and New Technologies. 5(1).58-68. ISSN: 2392-0092. http://www.ijpint.com
Onuoha. O. P. (2018). “Interface between self, history and literature in Chris Anyokwu’s Naked Truth”. JOLLS: Journal of Languages, Linguistics and Literary Studies. 5.17-28. ISSN: 2636- 7149-6300 https://jolls.com.ng/article/the-interface-between-self-history
Onuoha, O. P. (2018). “Exploitation and Complicity in Ken Saro-Wiwa’s A Month and A 
Day: A Detention Diary and Tenure Ojaide’s Great Boys: An African Childhood”. Ndunode: Calabar Journal of the Humanities. 13 (1).260-277. ISSN:1117-5621. https://zenodo.org/communities/issn1117-5621/
Nathaniel O. S. & Onuoha, O. P. (2017). “Art Beyond Facial Value of Metaphorization and Functionality of Sexual Scenes in Selected Nigerian Stories in the Cyber Space”. LWATI: A Journal of Contemporary Research. 14 (1). 80-103 Beijing: Universal Academics Services. ISSN:1813-2227. http://www.ajol.info

warning No Result For Grants Received.


S/N Conference Description Started Finished
Presented at the University of Port Harcourt International Conference on Language and Literature (UPHICOLL2019Netizens’ Sexual Fluidity As Imagining Migration In Kabaka and In 14: We Are Flowers.2019-08-262019-08-30
Conference And Media Arts A Festival. University of Central Florida.“(Un) continuity in African Literature: Facebook Memoir and Suicide as Escape in Akachi’s Sixteen Notes on H2020-07-162020-07-19