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Mr. Onyekachi Peter Onuoha
DepartmentEnglish & Literary Studies
DesignationAssistant Lecturer
EmailOnyekachi Peter Onuoha is an Assistant Lecturer at University of Calabar, Department of English and Literary Studies, he is a Street Biographer, African Digital Literature Scholar, Researcher in Trauma and Memory Studies, Creative Writer with over a decade experience in publishing and teaching of creative writing. He is a researcher on African new writings published in the cyberspace. He is the Curator and Editor of an Online Literary Platform Akaikoro.com. He is widely published across the three basic genres of literature. The following creative works of literature are to his credit: Idara, Moonlight Lady (Kraftbooks, 2012), MyFather Lied, The Scream of Ola(Kraftbooks, 2013), Ijeuwa (Authorhouse UK, 2015), Identity, The Fears of Mama(Kraftbooks 2015)The Heresy of Gossip, Aluta Struggles (Celbestbooks, 2011), Smell (AMABooks, 2017) among others, most of his books are studied across universities in Nigeria.
S/N | Qualification | School Atttended | Started | Finished |
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FSLC | State School one Bernard Carr, Pharlga, Port Harcourt | 1994 | 2000 delete_forever | |
SSCE | St. Patrick College, Ikot Ansa, Calabar | 2000 | 2006 delete_forever | |
BA | University Of Calabar | 2009 | 2012 delete_forever | |
MA | University of Lagos | 2015 | 2016 delete_forever |
S/N | Publication |
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Onuoha, O. P. (2020). “(Un) continuity in African Literature: Facebook Memoir and Suicide as Escape in Akachi’s Sixteen Notes on How to End a Lifeâ€. Electronic Literature Organization, Conference And Media Arts A Festival. University of Central Florida. pp 1-23 https://stars.library.ucf.edu.elo2020/ | |
Onuoha, O.P. (2019). “Eclipse in Rwanda as Remembering in Psychosocial Poetics of Traumaâ€. English Linguistics Research. SCIEDU Press. pp 25-34 iSSN 1927-6036 www.sciedupress.com/journal/index.php/elr/article/view/16228 | |
Onuoha, O. P. & Oyndamola O. H. (2019). “Men as Puns in the Feminist African Novelâ€. Language, Discourse & Society. 7(13). | |
Onuoha. O. P. (2018). “Diaspora digital literature: role reversal and the construction of self in selected Ikheloa’s autobiographiesâ€. International Journal of Pedagogy Innovation and New Technologies. ISSN: 2392-0092. 5 (2). . http://www.ijpint.com | |
Onuoha, O. P. (2018). “Literary Heredity and Variation in Selected Facebook Poems of Veralyn Chinenye and Her Collaborative Authorsâ€. International Journal of Pedagogy Innovation and New Technologies. 5(1).58-68. ISSN: 2392-0092. http://www.ijpint.com | |
Onuoha. O. P. (2018). “Interface between self, history and literature in Chris Anyokwu’s Naked Truthâ€. JOLLS: Journal of Languages, Linguistics and Literary Studies. 5.17-28. ISSN: 2636- 7149-6300 https://jolls.com.ng/article/the-interface-between-self-history | |
Onuoha, O. P. (2018). “Exploitation and Complicity in Ken Saro-Wiwa’s A Month and A 
Day: A Detention Diary and Tenure Ojaide’s Great Boys: An African Childhoodâ€. Ndunode: Calabar Journal of the Humanities. 13 (1).260-277. ISSN:1117-5621. https://zenodo.org/communities/issn1117-5621/ | |
Nathaniel O. S. & Onuoha, O. P. (2017). “Art Beyond Facial Value of Metaphorization and Functionality of Sexual Scenes in Selected Nigerian Stories in the Cyber Spaceâ€. LWATI: A Journal of Contemporary Research. 14 (1). 80-103 Beijing: Universal Academics Services. ISSN:1813-2227. http://www.ajol.info |
warning No Result For Grants Received.
S/N | Conference | Description | Started | Finished |
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Presented at the University of Port Harcourt International Conference on Language and Literature (UPHICOLL2019 | Netizens’ Sexual Fluidity As Imagining Migration In Kabaka and In 14: We Are Flowers. | 2019-08-26 | 2019-08-30 | |
Conference And Media Arts A Festival. University of Central Florida. | “(Un) continuity in African Literature: Facebook Memoir and Suicide as Escape in Akachi’s Sixteen Notes on H | 2020-07-16 | 2020-07-19 |